Waterfall Benchtop & Island Costs NSW 2026 - Get Free Quotes

Waterfall Benchtop and Island Costs in NSW

A waterfall end is the detail where the benchtop material turns the corner at the end of an island and runs down to the floor, so the stone reads as a continuous folded sheet rather than a top sitting on cabinets. It costs $600 to $1,500 per side in NSW, or $1,200 to $2,800 for both ends of an island. The detail has been the dominant island treatment in Australian kitchens for over a decade. A complete island including cabinetry, benchtop and waterfall runs $4,000 to $15,000 depending on the material and the size.

The price surprises people because the panel itself is not much material. What you are actually paying for is a mitred joint cut at forty five degrees and finished so the corner reads as solid. On top of that sits the extra slab consumed by cutting the panel from exactly the right place, and the handling of a heavy piece held in position while adhesive cures. All three are skilled work rather than material.

Vein matching is the part that separates a good waterfall from an expensive mistake. On a patterned stone, the panel has to be cut from the area of slab immediately beyond the benchtop edge. Folded down, the veining then continues around the corner without a break. Get that right and the eye reads one piece of stone. Get it wrong and you have two pieces of stone that happen to meet at a corner, which is a considerably less impressive result for the same money.

Material choice matters more here than anywhere else in a kitchen. A full body porcelain, a natural granite or a marble will all show continuous material through the mitre. A surface decorated porcelain shows its plain body colour along the joint line instead. That line runs at eye level down the most visible surface in the room, which is why the full body question is worth asking before you commit.

Engineered stone can no longer be used for any of this. The national prohibition on manufacturing, supplying, processing and installing engineered stone took effect on 1 July 2024, so quartz waterfalls cannot be fabricated in Australia in any brand or colour. The alternatives and their trade offs sit under quartz benchtop alternatives.

Beyond the stone, an island brings structural questions a wall run does not. The cabinetry has to be fixed to the floor and built to carry a heavy top plus two panels. Any overhang for seating beyond about three hundred millimetres needs steel, and the waterfall panel lands on a floor that is almost never perfectly level. None of that is difficult, and all of it goes wrong when nobody has thought about it.

It is worth deciding early whether an island is the right form at all. In a narrower Sydney kitchen a peninsula, where the bench returns from a wall and only one end is exposed, delivers most of the same effect for less money and takes less floor area. You get one waterfall end rather than two, no walkway required on the wall side, and simpler services because the run connects to existing cabinetry. Many inner city and apartment kitchens are better served by a peninsula than by an island squeezed into a room that cannot really hold one. A fabricator or designer will tell you which your room suits if you ask before the plans are drawn.

Services are the other consideration and they have to be planned early. Power to an island for appliances or a pop up outlet has to run under the floor or through the slab, and plumbing for a sink or dishwasher is no different. Both are licensed trades. Retrofitting either after the island is built is expensive and sometimes impossible.

The sections below cover what the work involves and how the mitre is made. It then works through vein matching and slab yield, which materials suit the detail, island structure and overhang support, and floors and levels. Services, clearances and what it all costs across Sydney and regional NSW follow at the end.

What a Waterfall Edge Involves

A waterfall is fabricated as separate pieces that are assembled to look like one. The benchtop is cut with its end at forty five degrees and the panel with a matching angle at its top. The two are then glued together so the outer faces meet at a clean ninety degree corner. Done properly there is no visible joint line and no dark seam, just a folded edge.

The panel usually runs the full height to the floor, which is the classic look. A shorter version stopping at the recessed toe kick under the cabinetry is sometimes used where the flooring is being kept. A partial waterfall covering only the upper section appears occasionally in contemporary designs. Full height is what most NSW kitchens specify.

Fabrication happens entirely in the workshop and assembly usually does too. Many fabricators glue the mitre in the yard and deliver the assembly as one L shaped piece. That produces a better joint than gluing on site. It also makes the delivery considerably heavier and more awkward. Others assemble on site where access will not allow the alternative. Both approaches are used across NSW.

Handling is a real consideration and worth understanding when access is tight. Granite at twenty millimetres weighs roughly fifty five kilograms for every square metre. A nine hundred millimetre panel is therefore a substantial lift on its own, and a pre assembled L shaped piece is heavier again. Narrow hallways, tight turns and stairs all affect whether pre assembly is possible.

On site the assembly is dry fitted first, checked against the floor and the cabinetry, then bedded and fixed. The panel is scribed at the bottom if the floor falls away, and packed if it needs it. It is then secured to the cabinetry so it cannot move. Silicone rather than rigid adhesive is used at the floor junction so seasonal movement is accommodated.

The whole detail can be applied to more than islands. A waterfall down the exposed end of a peninsula, a bench return at a doorway, or a bar in an alfresco area all use the same technique. The principle does not change with the location. The same detail is used vertically as a splashback return in some contemporary schemes, which ties into kitchen splashback installation.

What a waterfall does not do is add strength. The panel is decorative rather than structural. It does not carry the benchtop or replace cabinetry support. Anyone treating the panel as a leg has misunderstood the detail. The island underneath still needs building properly.

The Mitre Joint

The mitre is the whole job and the reason skilled fabricators charge what they do. Two pieces of stone are cut at precisely forty five degrees along their full length. On a nine hundred millimetre deep island that is close to a metre of cut which has to be dead accurate. Any variation across that length shows as a gap or a step at the corner.

Cutting is done wet on a bridge saw with the blade tilted. The accuracy required is why this is not an on site operation. The two cut faces are then dry assembled and checked before any adhesive touches them. Nothing is committed until the fit is right. A fabricator confident in this work will happily explain their process.

Gluing uses a colour matched adhesive rather than a clear one, tinted to disappear against the specific stone. The pieces are pulled together with clamps or vacuum suction pads and held while the adhesive cures. Any excess is dressed back once hard. The joint is then polished so the corner has the same finish as the faces. Done properly, you cannot find it by eye or by touch.

The resulting outer corner is thin, sharp and fragile, which is worth knowing before you choose it. That edge is the most vulnerable point in the whole kitchen. It sits at knee height at the end of an island, where vacuum cleaners, stools, shopping bags and children all pass it daily. A small radius or a very slight chamfer on that corner reduces the risk considerably and is barely visible.

Some designs use a shadow line or a small reveal at the corner instead of a true mitre, which is a legitimate alternative rather than a compromise. A deliberate recess of a few millimetres reads as an intentional detail. It avoids the fragile edge entirely and costs less to fabricate. It is worth asking about if the sharp corner concerns you.

Mitred joints also appear on the front edge of a benchtop, where a strip is returned underneath to double the apparent thickness. That is the same technique at smaller scale. A fabricator who does one well generally does the other well. The broader edge options sit under kitchen benchtop installation.

Ask to see a finished mitre before committing, because photographs flatter this detail. Standing beside a completed island and running a hand down the corner tells you more in ten seconds than any description can. The joint either disappears or it does not. Most fabricators have a showroom example or a recent job they can point you to, and one who does not is telling you something.

Vein Matching and Slab Yield

Vein matching is what makes a waterfall look like sculpture rather than joinery. The principle is simple enough. The panel is cut from the slab area immediately beyond where the benchtop edge falls, so when it is rotated down through ninety degrees the pattern picks up exactly where the top left off. The veining appears to flow over the edge and continue to the floor.

Achieving it requires planning at the slab layout stage rather than during cutting. The fabricator marks up the whole kitchen on the slab and positions the island pieces adjacently. Whatever waste that produces is accepted as part of the job. A yard that nests pieces purely for efficiency will not deliver a matched waterfall. Efficiency and matching pull in opposite directions.

This is where the cost sits that people do not expect. Reserving adjacent slab area for the panel can push a kitchen that would have fitted on one slab onto two. A second slab is a significant amount of money for material that mostly becomes offcut. It is a legitimate charge rather than padding.

The requirement varies enormously by material. A dramatic Calacatta marble or a strongly veined granite demands careful matching or the mismatch is glaring. A uniform speckled granite, a plain solid surface or a concrete look porcelain barely needs it at all. On those materials a waterfall costs meaningfully less, because the yard has freedom in the layout.

Book matching is the next level and appears in higher end Sydney kitchens. Two consecutive slabs are cut from the same block and opened like a book so they mirror each other. The result is a symmetrical pattern across a large island, or down both waterfall ends. It needs both slabs reserved at purchase. It is also not available in every stone, so ask before you set your heart on it.

Ask to see the slab layout before fabrication starts, and ask specifically where the waterfall pieces are coming from. A fabricator planning a matched waterfall will have this drawn already. They will happily show you. It takes two minutes to look at. No other check on this job tells you as much.

Manufactured materials sidestep much of this and that is a real advantage. Porcelain, sintered stone and solid surface are made to consistent patterns, so matching is either automatic or unnecessary. Slab yield becomes a much simpler calculation. That works in favour of regional buyers particularly, and the material detail sits under porcelain benchtop installation.

Materials That Suit a Waterfall

Natural granite handles the detail well and is the value option. It is hard and takes a mitre cleanly, and its crystalline pattern hides a well made joint. The same material runs through the full thickness, so the mitre shows stone rather than anything else. Strongly patterned granites need vein matching and uniform ones do not. That difference alone affects the price. More sits under granite benchtop installation.

Marble is the material most people picture on a waterfall island and the reason the detail became popular. A dramatic vein running across a bench and folding down to the floor is a striking thing. Nothing else reproduces it. It needs careful matching and it is soft enough that the mitred corner is more vulnerable. It will also etch and mark in ordinary use, all of which is covered under marble benchtop installation.

The fired porcelain family suits waterfalls excellently, with one important condition. Because the slabs are thin, the folded sheet effect reads beautifully. The material is also heat proof, non porous and extremely hard. The condition is that the range must be full body, meaning the pattern runs through the thickness, because a surface decorated slab shows its plain body colour as a line along the mitre.

That distinction deserves emphasis because showrooms rarely lead with it. On a flat bench you would never notice whether a porcelain is full body or surface decorated. On a waterfall mitre you will notice immediately and permanently. Confirm it in writing before ordering. Ask to see that exact range mitred if you can find an example.

Solid surface acrylics are the quiet achiever here. They can be joined with seams that cannot be seen or felt, so a waterfall corner in solid surface has no visible line at all. The material can also be repaired invisibly if the corner is ever damaged. The limitations are heat sensitivity and a softer surface. For a pure design result, though, it is hard to beat.

Timber waterfalls appear in NSW kitchens where a warmer look is wanted, usually as a contrast to a stone or laminate bench elsewhere. Solid or laminated hardwood mitres well and costs considerably less than stone. It can also be sanded and re oiled if damaged. It wants oiling once or twice a year and does not enjoy standing water. That makes it best suited to an island without a sink.

Laminate can be mitred too and the results are better than the material's reputation suggests. Modern high pressure laminates with seamless rolled edges produce a credible waterfall at a fraction of the cost. That makes them worth considering in a rental or a budget renovation. The comparison sits under laminate versus stone benchtop comparison.

Island Structure and Support

An island carries more load than a wall run and has nothing to lean on. The cabinetry must be fixed to the floor rather than simply standing on it. A stone top plus two waterfall panels is a substantial weight, and any movement in the carcasses will show at the mitred corners. Fixing is usually into the subfloor through the base, or via a fixed plinth. Either way it needs doing before the stone arrives.

Level matters more here than anywhere else in the kitchen. Stone will not straighten cabinetry that sags in the middle. On an island the consequence appears at both ends, where the waterfall panels meet the top. A competent installer checks with a long level across both axes. The cabinetry is packed before anything stone touches it.

Overhangs for seating are the most common structural question and the one most often left too late. Roughly three hundred millimetres is as far as twenty millimetre stone will reach unaided. Beyond that the overhang needs steel flat bar let into the cabinetry, brackets returning to the carcass, or a cantilevered support built into the joinery. Steel costs $250 to $700 and is far preferable to brackets, which sit exactly where knees go.

That decision has to be made at the joinery stage rather than at benchtop template. Steel is let into the top of the cabinetry before the bench arrives. A seating plan raised after the island is built therefore means either brackets or a redesign. Raise how many people will sit at the island in the first design conversation, and the joinery side sits under cabinet making and joinery.

Thin porcelain changes the calculation and needs stating separately. A six or twelve millimetre slab has far less inherent stiffness than twenty millimetre stone. A porcelain overhang for seating will generally need steel regardless of what the equivalent stone would tolerate. Your fabricator will specify what is required once the material is chosen. It is not a decision to leave to the installer on the day.

The island cabinetry itself is worth building well because it is doing more work than it appears. Deep drawers, a bin pull out, appliance garages and open shelving to the seating side all live in an island. The internal structure has to accommodate them while still carrying the load. Storage planning sits under kitchen storage solutions.

Where an island includes a sink or a cooktop, the cutout weakens the top exactly where it matters. Cutout corners must be radiused and additional support is often added beneath. The position relative to the waterfall ends should also be planned, so narrow strips of stone are not left unsupported. A fabricator will raise this if the layout creates a problem. If they do not mention it at all, ask.

Floors, Levels and Where the Panel Lands

A waterfall panel runs to the floor, which introduces a problem no other benchtop detail has: it has to land on a surface that is rarely flat. Timber floors in older NSW homes undulate, and tiled floors have falls and uneven tile edges. A concrete slab in an apartment can be several millimetres out across the width of an island. The panel is cut square, and the floor is not.

The answer is scribing, which means cutting the bottom edge of the panel to follow the actual floor profile rather than a straight line. It is normal practice. A good fabricator does it as a matter of course rather than treating it as an extra. What it requires is that the finished floor is down before the panel is cut. At the very least it must be down before the panel is fitted.

That creates a sequencing rule worth knowing. If the flooring is being replaced, lay it before the waterfall panel is scribed and fitted. A panel cut to the old floor level will not suit the new one. Getting this backwards is a common cause of a gap at the bottom of a waterfall, and the flooring side sits under kitchen flooring costs.

Where the flooring is staying, the panel is scribed to what is there. Timber floors being sanded and recoated after the kitchen goes in need care. A sander running against a stone panel is a risk to both, and most floor finishers will want the panel protected. That work sits under floor sanding and polishing.

Skirting and scotia have to be dealt with where a waterfall meets a wall, which happens on a peninsula rather than a true island. The panel either stops short of the skirting or the skirting is cut around it. The second option looks better but takes more work. Decide which before installation day rather than during it. Installers standing in your kitchen with a panel in their hands should not be making design calls.

The floor junction itself is sealed with a neutral cure silicone rather than a rigid adhesive. That accommodates the seasonal movement common in timber framed homes on reactive clay soils. Much of western Sydney, the Hunter and the Central West sits on exactly that. A rigidly fixed panel on a moving floor is a crack waiting to happen.

Underfloor heating, where it exists, needs raising at design stage. A waterfall panel sitting on a heated floor creates a thermal junction that is generally not a problem in stone, though it is worth mentioning to the fabricator. The heating layout should avoid running elements directly beneath where the panel lands. It is an uncommon combination in NSW. It does appear in renovated homes in the Southern Highlands and the Blue Mountains.

Power, Plumbing and Clearances

Power to an island has to be planned before the floor and the cabinetry go in. Cabling runs under a timber floor or is chased into a concrete slab. Neither is easy to retrofit once the kitchen is built. A pop up outlet in the benchtop, outlets in the island side, or a concealed strip under the overhang are the usual arrangements. Each needs its position fixed before the bench is templated.

All of it is licensed electrical work in NSW, without exception. An electrician installs and certifies the circuit. The benchtop fabricator drills any hole for a pop up unit at fabrication rather than on site. Cost runs $400 to $1,200 depending on the run and the floor type, and it sits under electrical services with the cost side under kitchen electrical costs.

A sink or dishwasher in an island needs water supply and waste, and waste is the harder of the two. A waste pipe requires fall to reach the existing drainage. That means either a timber floor with room beneath, or a concrete slab that has to be cut and chased. In a ground floor slab home this can be the single most expensive line in an island project. Price it before the layout is agreed.

A cooktop in an island adds ventilation to the list. A downdraft unit extracts through the island and out under the floor, while an overhead canopy needs ducting through the ceiling. Both are decisions made long before the benchtop is templated. Gas to an island requires a licensed gas fitter. It also needs the same underfloor planning as water.

Clearance around an island is the design factor that most affects how a kitchen feels to use. Around a metre of walkway is comfortable for one person. Where two people work together, or where drawers and a dishwasher door open into the space, twelve hundred millimetres is better. Anything under about nine hundred millimetres feels tight in daily use.

Overhang depth for seating deserves the same attention. Around three hundred millimetres allows someone to sit comfortably with their knees under. Less than two hundred and fifty is uncomfortable enough that the seats will not get used. Balance that against the structural requirement, since the depth that seats people well is also the depth that needs steel.

Seating height needs settling alongside the overhang. A standard island bench at nine hundred millimetres suits a stool with a seat height of around six hundred and fifty millimetres, and buying stools designed for a seven hundred and fifty millimetre bar will leave people perched too high. Allow roughly six hundred millimetres of bench width per person so nobody is sitting shoulder to shoulder, which means a two metre island seats three comfortably rather than four. Stools with backs need more clearance behind them than stools without. Working this out before the island size is fixed is easier than discovering afterwards that only two of the four stools get used.

Lighting above an island is worth planning at the same time as the power. Pendants centred on the island, or a track, need their positions set before the ceiling is finished. They read badly if they are not centred on the finished benchtop rather than the cabinetry. That coordination sits under kitchen lighting costs.

What Affects the Cost

The material you choose sets the base and multiplies everything else. The same waterfall in an entry level granite and a premium full body porcelain can differ by more than double. Both the panel material and the additional slab yield scale with the price per square metre.

Vein matching requirements drive slab consumption more than any other single factor. A strongly patterned stone requiring adjacent cuts can push a kitchen from one slab to two. A uniform material lets the yard nest efficiently instead. Ask what the layout does to the slab count. It is a fair question and the answer changes the price.

One end or two is close to a doubling on the waterfall line itself. Both ends of an island look symmetrical and deliberate, while one end reads as a choice. The cost difference is real at $600 to $1,500 per side. Many NSW kitchens do one end only, where the other meets a wall or a cabinet run. That is a perfectly good result rather than a compromise.

Island size affects everything downstream. A larger island means more benchtop, a taller or wider panel, more cabinetry and often a second slab. The cost curve is steeper than the size increase suggests. The broader island costs sit under kitchen island costs.

Overhang support adds $250 to $700 where seating extends beyond about three hundred millimetres. It is not optional at that point. Discovering it after the joinery is built means brackets rather than steel, which is a worse result for similar money.

Services are frequently the hidden cost in an island project. Power at $400 to $1,200, plumbing waste through a concrete slab and ducting for a cooktop add up quickly. Together they can exceed the waterfall itself. Get them priced before you settle on a layout rather than after. A design agreed without them is a design that may not survive the quote.

Maintenance of the waterfall itself is minimal but the floor junction needs a thought. The silicone line where the panel meets the floor collects dust and is the spot a mop runs into repeatedly, so it discolours before anything else in the kitchen does. Re running that bead every few years costs almost nothing and keeps the detail looking sharp. On a porous stone the bottom hundred millimetres of the panel also takes more water than the rest of the kitchen, which makes it the first area to test when you are checking whether a sealer is still working.

Access matters more than for a wall run because the pieces are larger and often pre assembled. An L shaped waterfall assembly is heavy and cannot be turned in a narrow hallway. A Sydney terrace or an apartment with a booked lift may therefore force on site assembly, which changes both the price and the joint quality. The safety framework fabricators work under is administered by SafeWork NSW.

Waterfall Island Costs Across Sydney

Material and the vein matching requirement move a Sydney price far more than the postcode does. Where metropolitan variation appears is in island size and in access. Inner and eastern suburb apartments run smaller islands with tighter delivery constraints. The north shore, the northern beaches and the north west carry the largest islands and the most frequent specification of book matched marble.

Each range is wide because specifications vary, not because suburbs do. A modest granite island with one waterfall end and no seating overhang sits at the bottom everywhere in Sydney, and a large book matched marble island with waterfalls at both ends, a seating overhang on steel and a sink plumbed through a slab sits at the top. Sydney's advantage is the number of fabricators capable of a good mitre, which makes three comparable quotes realistic. Apartment owners should raise access early, since a pre assembled waterfall may simply not fit through the building.

Waterfall Island Costs in Regional NSW

Fabrication is the same outside Sydney, with freight, slab choice and finding a yard confident with mitres accounting for the differences. Newcastle, the Hunter, the Central Coast and the Illawarra all have fabricators doing this work regularly. Figures in those centres run very close to Sydney. Further west, slabs are often freighted from a metropolitan supplier, which adds cost and limits how much you can view before ordering.

Slab viewing matters more for a waterfall than for any other benchtop job, which is awkward for regional buyers. Vein matching depends on where the pattern falls on a specific slab. A photograph is not enough for a dramatic stone. A day trip to a Sydney or Newcastle yard is worth the drive on a job of this value. Seeing the actual slab and agreeing the layout in person removes the main risk.

Porcelain, sintered stone and solid surface remove that constraint completely. All three are manufactured to consistent patterns, so ordering from a sample is safe and matching is either automatic or unnecessary. For a regional waterfall island these materials deserve serious consideration for that reason alone. The saving in time and travel is real.

Pre assembly and freight interact in a way worth asking about. An L shaped waterfall assembly glued in a Sydney workshop produces the best joint. It is also a heavy, awkward and fragile thing to freight several hundred kilometres. Ask whether the fabricator pre assembles or glues on site, and who carries the risk if a piece is damaged in transit.

Islands outside the metropolitan area tend to be larger, which cuts both ways on cost. More material and a second slab push the price up. Against that, the price per square metre falls as the job gets bigger. Larger rooms also allow the metre or more of clearance an island really wants. Many inner city kitchens simply cannot manage it.

What to Look Out For

Establish first whether vein matching is included and how it will be achieved. A quote that says nothing about slab layout on a patterned stone may deliver a waterfall with a visible mismatch at the corner. That is not something you can fix afterwards. Ask to see the marked up slab layout before fabrication begins. It is the one document that tells you whether matching has actually been planned.

Confirm whether a porcelain range is full body before ordering. A surface decorated slab shows its plain body colour as a line along the mitre. That line runs at eye level down the most visible surface in your kitchen. This is the most common regret on a porcelain waterfall. It is also entirely avoidable with one question.

Ask how the mitre is assembled and where. A joint glued in a controlled workshop is generally better than one glued on site. If a fabricator is planning on site assembly it is worth understanding why, and the answer is usually access. Neither approach is wrong. You should simply know which you are buying and why.

Check that the overhang support has been designed rather than assumed. Steel let into the cabinetry costs $250 to $700 and has to be there before the bench arrives. A fabricator who has not asked how many people will sit at the island has not considered it. Brackets added later are the fallback. They are a noticeably worse result for similar money.

Make sure the floor sequencing has been agreed. A waterfall panel is scribed to the finished floor. If flooring is being replaced, it must go down first. A panel cut to the old floor and fitted over a new one leaves a gap at the bottom. It cannot be fixed neatly afterwards.

Raise services before the layout is locked. Power, water, waste and ventilation to an island all need planning before the floor and cabinetry go in. Retrofitting them afterwards ranges from expensive to impossible. Get them priced as part of the island rather than as an afterthought.

Above everything else, an offer of an engineered stone waterfall should stop the conversation. Manufacture, supply, processing and installation of engineered stone has been prohibited nationally since 1 July 2024 regardless of how it is described. Licence checks and trader obligations are published by NSW Fair Trading, disputes can go to NCAT, and general guidance is available through Service NSW.

What to Look for in a Quote in NSW

A good waterfall quote names the material, range and thickness, states whether it is full body where relevant, confirms whether vein matching is included, specifies one end or two, lists the number of slabs being used, and covers the overhang support if there is seating. It should also state who is scribing to the floor and whether assembly is in the workshop or on site. Without those items, two waterfall quotes are not comparing the same job.

Send each fabricator exactly the same details. Send the island dimensions and the seating plan, including how many people. Add the flooring type and whether it is being replaced, your material preference, and photographs of the access route from the street to the kitchen. That last item matters more on this job than any other.

There are five things worth settling before you commit. Can I see the slab layout with the waterfall pieces marked, is the mitre assembled in the workshop or on site, how is the seating overhang supported, who scribes the panel to the floor, and can I look at a finished example. Those five will sort the operators quickly.

Get the services quoted alongside the stone rather than separately. Power, plumbing, waste and ventilation to an island are frequently a larger line than the waterfall itself. Pricing them together prevents a design being locked in before the true cost is known. Cabinetry, benchtop and services form one decision rather than three. Treating them separately is how island budgets come apart.

Compare on the slab layout and the fabricator rather than the headline figure. A quote that shows a marked up layout, states the slab count, specifies full body material and includes the overhang steel is worth more than a cheaper one leaving those open, because each becomes a compromise later. Posting the job on The Quote Yard lets several NSW fabricators respond to the same brief, and the wider cost picture sits under kitchen benchtop costs. The rights you carry into any dispute over workmanship are set out by the ACCC.